Growing up in a predominantly visiting a childhood home has never been an option for me. The realization of this has given me a sense of childhood that seems both ephemeral and temporal; memories remain in a non-existent location. My current body of work utilizes personal narratives along with domestic icons of houses which remain faceless yet uniformly personal; my narratives become everyone’s narratives. Having this weight and I can never go home placed face to face create a didactic yet community narrative of past, present, and futures.
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